How to hide the collection of calligraphy and painting

December 13, 2019

The collection of calligraphy and painting collections is mainly to solve the problem of appraisal. Many people talk about it. Unfortunately, few people talk about the “story” of the collection of calligraphy and painting. As a collector of paintings and paintings, if you only know "receiving" and you do not know "hidden," you will lose out.

Calligraphy and painting belong to the remains of paper pottery. The lifespan of the paper carp class of organic matter is as the saying goes: “The paper millennium millennium is eighty and eight hundred”. The paper pot, as the carrier of painting and calligraphy, will naturally flake or decay when it reaches a certain limit of life. Artwork will also disappear. Therefore, we must extend the life of paintings and paintings in a scientific way.

One is the preservation of materials. Many collectors mistakenly believe that the use of plastic cloth to seal paintings should be used to prevent moisture and the paintings and paintings should be locked in the safe. However, such a result will certainly lead to dampness and mildew in paintings and calligraphy, because changes in temperature will cause changes in relative humidity, lower temperatures, and higher relative humidity. The moisture of paintings and paintings will not spread out, and they will gather in plastic sheets or iron cabinets. This is The basic elements of the production and reproduction of molds and paintings and pests. The stricter and more standardized means of packaging painting and calligraphy is to wrap paintings and paintings made of cotton cloth or put paper and paintings in wooden caskets or wooden boxes, and store them in wooden cabinets or wooden boxes. Timber is best for eucalyptus, and general wood is acceptable. However, wood must be treated with pest control. In the hibiscus and wooden box, pest control and anthelmintic drugs made from natural plants such as camphor should be placed. These drugs should not be directly touched by paintings and calligraphy, and must be wrapped with paper with good air permeability to prevent the pills from leaving traces after they evaporate and contaminate the collection. Harmful painting and calligraphy The most common locust is the squid, which is a scientific name sweater fish. The worm is agile and can move in a warm room all year round. Adults have strong hunger-resistance and no food can live for 300-319 days. Adults and larvae are dominated by fiber-based materials and therefore pose a great danger to painting artifacts. Collectors must pay attention to pest control issues. Do not store food inside and around the cabinet of paintings and paintings to prevent insects and rats from accessing artifacts. In addition, it must also be noted that if the shaft of the vertical shaft is made of pine wood, it must be deoiled, otherwise the leaked vegetable oil will contaminate the picture.

The second is the preservation of the environment, which mainly involves factors such as temperature and humidity and light. The best environment for museums to preserve paintings and calligraphy is constant temperature and humidity, temperature is about 18 degrees Celsius (positive and negative is 2 degrees), humidity is 55% (plus or minus 5 degrees), such temperature and humidity is not easy to grow aphids and molds. Too high or too low temperatures can cause damage to the paper basket. Of course, if the home does not have a constant temperature and humidity constant temperature, it is difficult for the collection conditions to meet this standard every day. The collection cabinets and boxes can be placed in a ventilated place. The temperature and humidity cannot be far from each other, and the temperature and humidity cannot be changed too much. It is advisable to save paintings and paintings to be devoid of light. In particular, infrared rays and direct ultraviolet rays should be avoided. Ultraviolet rays can cause embrittlement of the paper, discolor the paint, and reduce the life span of calligraphy and painting. A study in the United States at the end of the last century showed that photographing using flash does not pose any danger to calligraphy and painting, but it is still good to be careful, and it is often exposed to flash. It will inevitably have an impact. Some negative effects may not be apparent at that time. It is likely that It will only appear after several years.

The third is that the preservation environment of the paintings and calligraphy should be kept clean, because dust is a type of solid particulate matter. Most of them have angular edges and fall onto the paintings and paintings, but the abrasion of the surface of the paper is light, and the damage to the surface of the paper is heavy. Dust itself has chemical substances such as acid and alkali. It will also absorb harmful gases in the air and form particles with strong corrosiveness. If it falls on the painting, it will erode the material of the paper and accelerate its deterioration. Dust is also the carrier and communicator of mold spores. If the dust containing these mold spores falls on the paintings and paints, and encounters suitable conditions of temperature and humidity, the mold may grow, which may cause harm to the paintings and calligraphy. This shows that it is very important for dust and dust removal in the preservation environment of calligraphy and painting.

The fourth is how to use it. The use of calligraphy and painting is mainly for viewing. Normally, at home, try not to hung long-term calligraphy and painting 100 years ago. Hang it in the autumn for three days each year. After an experiment, the life span of a piece of paper painting hanging on the wall was about 20 years. Since then, it has to be repaired to make it "remain". After a hundred years of painting and calligraphy, it is advisable to hang one month each year. Do not let the sun shine directly on the screen. It is better to use red and purple lights for indoor lighting. If it is a picture frame, you must pay attention to whether or not you have mildew in the wet season. Once discovered, you can ask the museum's professionals to deal with it. In the Southern Song Dynasty, Zhao Xilu was the 9th generation grandson of Zhao Kuang. He has accumulated rich experience in playing ancient paintings and calligraphy, and he has written “The Collection of Caves and the Qing Dynasty”, which puts forward many environmental requirements for ornamental ancient paintings and calligraphy. On a day, the interior cannot be incense. "A house can only have three or four axes. If you play three or five days, you don't want to change the name. Then the axes are all seen in the wind and never steamed. When you hang it in turns, you don't make dust." ... Use a horse's tail or a silk curtain to sway the picture.... There must be a small case before the painting.” This fully demonstrates how elegant and refined a nobleman can enjoy the art lifestyle. The book is about protecting and decorating paintings and calligraphy. The talk of experience has been used up to now. The author also devoted himself to describing the laws and characteristics of many household names and some of the wonderful ways of painting.

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